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Collections
Subjects: Screenwriters
214 Results
- 1
A. S. Fleischman papers1954 - 1997 (inclusive)
5 linear ft. of papers
0.4 linear ft. of photos
3 item(s) of artworks
Albert Sidney Fleischman was an American novelist, screenwriter and children's book author, widely known in the latter capacity as Sid Fleischman. Several of his books were adapted to the screen. His most prominent films as a screenwriter include the adaptations for BLOOD ALLEY (1955) and LAFAYETTE ESCADRILLE (1957), as well as THE DEADLY COMPANIONS (1961), based on his novel "Yellowleg." - 2
Abraham Polonsky material compiled by Larry Rafferty1940 - 2001 (inclusive)
Larry Rafferty is a poet, editor, and publisher from the San Francisco Bay Area. In 1974 he established Hit & Run Press, which publishes poetry books and broadsides. “Night Train,” a collection of his poetry, was published in 1981. - 3
Agnes Christine Johnston and Frank Dazey papers1914 - 1968 (inclusive)
5.5 linear ft. of papers
Agnes Christine Johnston was an American writer, who wrote not only for the screen, but for television, the stage, radio, and magazines. Her husband, Frank Dazey, was also an American writer.
Frank Dazey was an American writer active in film between the 1910s and 1930s. - 4
Al Adamson scripts1968 - 1995 (inclusive)
2.5 linear ft. of papers
Al Adamson (1929-1995) was a writer, actor, producer, and director specializing in low-budget exploitation movies. - 5Al Martin papers
- 6Al Rogell papers1939 - 1968 (inclusive)
0.2 linear ft. of papers
Albert S. Rogell (1901-1988) was an American director, producer, and screenwriter active in film beginning in the mid-1910s. - 7
Albert Benham papers1905 - 1968 (inclusive)
2 folder(s) of papers - 8
Alexander Mackendrick journal1993 - 1994 (inclusive)
1 folder(s) of papers - 9
Alfred Hitchcock papers1821 - 1979 (inclusive)
66 linear ft. of papers
5.8 linear ft. of photos
3 item(s) of posters
166 item(s) of artworks
Alfred Hitchcock was a British director, producer, and screenwriter whose film career spanned 1919 to 1976. He emigrated to the United States in 1939. Nominated by the Academy five times in the directing category, he was presented the 1967 Irving G. Thalberg Memorial Award. - 10Andrew Davis papers1974 - 2006 (inclusive)
56 linear ft. of papers
4 item(s) of posters - 11Andrew L. Stone papers1927 - 1972 (inclusive)
48 linear ft. of papers - 12
Anita Loos papers1912 - 1979 (inclusive)
2 folder(s) of papers
Anita Loos was an American screenwriter active from 1912 to 1942. She is best remembered as the author of the novel, play, and film, GENTLEMEN PREFER BLONDES. - 13Anna Thomas papers1982 - 1983 (bulk)
10 linear ft. of papers - 14
Arthur Marks papers1960 - 1980 (inclusive)
3 item(s) of posters
1 item(s) of artworks
41 linear ft. of papers - 15
Barbara Roisman Cooper collection of Ronald Neame research interviews1998 - 2001 (inclusive)
1 linear ft. of papers
Barbara Roisman Cooper is an American freelance writer specializing in celebrity profiles. She took up writing after retiring as a television production manager and teacher of English and film studies. - 16
Barré Lyndon papers1930 - 1972 (inclusive)
14 linear ft. of papers
Barré Lyndon, also known as Alfred Edgar, was a British-born journalist, playwright, novelist, and short-story writer. In the early 1940s he established himself in Hollywood as a freelance screenwriter. Lyndon's best-known screenwriting credits include THE LODGER (1944), HANGOVER SQUARE (1945), THE GREATEST SHOW ON EARTH (1952), and THE WAR OF THE WORLDS (1953). In the 1960s he wrote for a number of television series. - 17Barry Shipman material1942 - 1945 (inclusive)
1 folder(s) of papers - 18
Benjamin Glazer letter to Karl Struss1929 - 1929 (inclusive)
1 folder(s) of papers - 19
Benjamin Glazer script
1 folder(s) of papers - 20Bernard Gordon letter1986 - 1986 (inclusive)
1 folder(s) of papers
Bernard Gordon was an American writer, active in film in the 1950s and 1960s, and a producer, active in the 1970s. As a blacklisted writer he was not given screen credit for many of the films he worked on. - 21Bernard Gordon manuscript
2 folder(s) of papers
Bernard Gordon was an American writer, active in film in the 1950s and 1960s, and a producer, active in the 1970s. As a blacklisted writer he was not given screen credit for many of the films he worked on. - 22
Bernard Schubert material1894 - 1969 (inclusive)
2.1 linear ft. of papers
Bernard Schubert was an American screenwriter and playwright. - 23
Bert Granet papers1903 - 2010 (inclusive)
7 linear ft. of papers
1.8 linear ft. of photos
Bert Granet was an American screenwriter and producer active in film from 1928 through the 1950s and in television from the 1950s through 1960s. He worked for RKO as a writer and later producer of films including BERLIN EXPRESS (1948) and THE MARRYING KIND (1952). He went on to work for Desilu Studios where he helped produce such television series as THE WALTER WINCHELL FILE, WESTINGHOUSE DESILU PLAYHOUSE, THE UNTOUCHABLES, and THE TWILIGHT ZONE. Granet received a Screen Producers Award in 1959. - 24
Bess Meredyth script
1 folder(s) of papers - 25
Billy Wilder papers1935 - 1976 (inclusive)
3 linear ft. of papers
Billy Wilder was an Austrian-born director, screenwriter, and producer most active in film from the 1930s through 1970s. After beginning his film career in Germany, he came to the U.S. in 1934. From 1938 to 1950, he collaborated with screenwriter and producer Charles Brackett. Four of Wilder’s six Academy Awards are for writing and directing THE LOST WEEKEND (1945) and THE APARTMENT (1960), and he was the recipient of the 1987 Irving G. Thalberg memorial award. - 26
Bo Goldman papers1958 - 2014 (inclusive)
50 linear ft. of papers
Bo Goldman is an American screenwriter. He won an Oscar for best adapted screenplay by for ONE FLEW OVER THE CUCKOO'S NEST.
Bo Goldman is an American screenwriter active in film since the mid-1970s. Born Robert Goldman in New York, he attended Princeton University before serving in the Army. His career began in television began in 1958 and he found work in the medium through the mid-1960s. His first motion picture, ONE FLEW OVER THE CUCKOO'S NEST (1975), earned Goldman an Academy Award for his adapted screenplay. His second Academy Award was for his original screenplay for MELVIN AND HOWARD (1980). He was nominated for the screenplay for SCENT OF A WOMAN (1992). - 27
Bruce Campbell production material for JOHNNY GOT HIS GUN1968 - 1978 (inclusive)
3.5 linear ft. of papers - 28Bruce Joel Rubin papers1973 - 2009 (inclusive)
28 linear ft. of papers
Bruce Joel Rubin is an American screenwriter, producer, and director active since 1964. His screenwriting credits include BRAINSTORM, JACOB'S LADDER, and MY LIFE. He won an Academy Award for Best Writing, Screenplay Written Directly for the Screen for GHOST. - 29
Bryan Forbes papers1954 - 1991 (inclusive)
22 linear ft. of papers
4 item(s) of artworks - 30
Bud Barsky papers1918 - 1940 (inclusive)
13 linear ft. of papers
Irving J. "Bud" Barsky was a producer, director, executive, and screenwriter. Born in Odessa, Ukraine, Barsky was active in Hollywood as an independent producer in the 1920s and 1930s. - 31Burl R. Tuttle material1919 - 1957 (inclusive)
2 linear ft. of papers - 32
Buster Keaton papers1900 - 1999 (inclusive)
0.4 linear ft. of papers
2 linear ft. of photos
Buster Keaton was an American actor, director, producer, and screenwriter active in film from 1917 to the mid-1960s. The Academy presented him with a 1959 Honorary Award. - 33
Calder Johnstone papers1902 - 1929 (inclusive)
0.7 linear ft. of papers - 34
Cecil B. DeMille collection1916 - 1980 (inclusive)
1.8 linear ft. of papers
5 item(s) of artworks
Cecil B. DeMille was an American director, producer, and screenwriter active in film between 1913 and 1958. In 1913 he formed a partnership with Jesse Lasky and Samuel Goldfish (later Goldwyn) called the Jesse L. Lasky Feature Play Company. The company soon merged with Adolph Zukor's Famous Players Film Company and ultimately became Paramount Pictures, where DeMille became a leading producer. - 35
Cecil B. DeMille letter1956 - 1956 (inclusive)
1 folder(s) of papers
Cecil B. DeMille was an American director, producer, and screenwriter active in film between 1913 and 1958. In 1913 he formed a partnership with Jesse Lasky and Samuel Goldfish (later Goldwyn) called the Jesse L. Lasky Feature Play Company. The company soon merged with Adolph Zukor's Famous Players Film Company and ultimately became Paramount Pictures, where DeMille became a leading producer. - 36
Cecil B. DeMille photographs1890 - 1959 (inclusive)
64 linear ft. of photos
Cecil B. DeMille was an American director, producer, and screenwriter active in film between 1913 and 1958. In 1913 he formed a partnership with Jesse Lasky and Samuel Goldfish (later Goldwyn) called the Jesse L. Lasky Feature Play Company. The company soon merged with Adolph Zukor's Famous Players Film Company and ultimately became Paramount Pictures, where DeMille became a leading producer. - 37
Charles Brabin papers1904 - 1940 (inclusive)
1.1 linear ft. of papers
Charles J. Brabin was a British-born director, screenwriter, and producer whose film career spanned 1908 to the mid-1930s. He came to New York in the early 1900s. Brabin joined the Edison Company around 1908, acting first and then directing. Brabin directed Theda Bara in KATHLEEN MAVOURNEEN (1919) and LA BELLE RUSSE (1919), and the two were married in 1921. DRIVEN (1923), STELLA MARIS (1925), and THE MASK OF FU MANCHU (1932) were among the films directed and occasionally scripted by Brabin. - 38
Charles Brackett papers1890 - 1969 (inclusive)
36 linear ft. of papers - 39
Charles Haas papers1937 - 1968 (inclusive)
8.8 linear ft. of papers
Charles Haas was an American director, producer, and writer active from 1946 to 1967. As a director, his work included documentaries, industrial films, training films for the United States Army Signal Corps during World War II, and many television series. His film work includes GIRLS TOWN and THE BEAT GENERATION, which he directed, and MOONRISE, which he wrote and produced. - 40
Charles Lederer family papers1910 - 1985 (inclusive)
16 linear ft. of papers - 41
Charles Palmer papers1941 - 1952 (inclusive)
1.8 linear ft. of papers
Charles A. "Cap" Palmer was an American screenwriter and producer of business-sponsored documentary films. He joined Walt Disney Pictures in 1943 and over the next five years was a major contributor to the early story development of ALICE IN WONDERLAND and LADY AND THE TRAMP (ultimately released in 1951 and 1955, respectively). In the late 1940s and early 1950s, Palmer wrote for Louis deRochemont, Jesse L. Lasky, and Metro-Goldwyn-Mayer (MGM). Palmer collaborated with Dore Schary on the book "Case History of a Movie," about the production of the film THE NEXT VOICE YOU HEAR... (1950). Palmer formed Parthenon Pictures, a major producer of business-sponsored documentary films, in 1954. - 42
Charles Shyer production material1984 - 2001 (inclusive)
1 linear ft. of papers - 43China Kong and Donald Cammell papers
12 linear ft. of papers - 44Collection of Alvin Sargent unproduced scripts1986 - 2009 (inclusive)
0.4 linear ft. of - 45
Collection of Charles Chaplin photographs1915 - 1967 (bulk)
2 linear ft. of photos - 46
Craig Hutchinson papers1889 - 1976 (inclusive)
2 linear ft. of papers
Craig Hutchinson was an American writer, director and producer active in film from the mid-1910s to 1935. He started as a columnist, writing "Flashes from Filmland" for the "Los Angeles Evening Herald" newspaper. He worked for Mack Sennett as a writer and member of the story department for more than ten years. He then became president of his own company, Craig Hutchinson Productions, and directed many two-reel short films that were among the first to use Technicolor. He was married to former wardrobe mistress and dancer Celia Ruiz, known as Beatrice Hutchinson. - 47Curtis Hanson papers1972 - 2012 (bulk)
31 linear ft. of papers - 48
Curtis Harrington papers1875 - 2008 (inclusive)
30 linear ft. of papers
Curtis Harrington was an American experimental filmmaker, director, producer, and screenwriter. In the 1940s and 1950s, he emerged as a filmmaker when he wrote and directed several experimental avante garde shorts. He served as the executive assistant to Jerry Wald from 1956 to 1961 and as an associate producer at 20th Century-Fox. Curtis largely discarded the "experimental" tradition in his feature work which specialized in low-budget horror pictures. - 49
Daniel Taradash papers1907 - 2003 (inclusive)
38 linear ft. of papers
Daniel Taradash was an American screenwriter and playwright active from 1938 to 1980. He is known for his screenplays for PICNIC, BELL, BOOK AND CANDLE, and FROM HERE TO ETERNITY, for which he won an Academy Award for Best Writing, Screenplay. Taradesh was president of the Academy of Motion Picture Arts and Sciences from 1970 to 1973. - 50
Darryl F. Zanuck contracts and ephemera1937 - 1971 (inclusive)
0.4 linear ft. of papers
0.3 linear ft. of photos
Darryl F. Zanuck was an American film executive, producer, and screenwriter. He received the Irving G. Thalberg Memorial Award three times (1937, 1944, 1950) and received an Academy Award nomination as producer of THE LONGEST DAY (1962).
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