1968 - 1995 (inclusive)
2.5 linear ft. of papers
Al Adamson (1929-1995) was a writer, actor, producer, and director specializing in low-budget exploitation movies.

1939 - 1968 (inclusive)
0.2 linear ft. of papers
Albert S. Rogell (1901-1988) was an American director, producer, and screenwriter active in film beginning in the mid-1910s.

1948 - 1948 (inclusive)
3 item(s) of posters

1950 - 1998 (inclusive)
75 linear ft. of papers
15 linear ft. of photos
1 item(s) of posters
Alan J. Pakula was an American director, producer, and screenwriter active in film from 1949 to 1997. He worked as a production assistant before producing his first film, FEAR STRIKES OUT, in 1957. He collaborated with director Robert Mulligan on half a dozen films. Pakula directed his first film, THE STERILE CUCKOO, in 1969. He was nominated for an Academy Award in the best picture category for TO KILL A MOCKINGBIRD (1962), in the directing category for ALL THE PRESIDENT'S MEN (1976), and in the writing category for SOPHIE'S CHOICE (1982).

1821 - 1979 (inclusive)
66 linear ft. of papers
5.8 linear ft. of photos
3 item(s) of posters
166 item(s) of artworks
Alfred Hitchcock was a British director, producer, and screenwriter whose film career spanned 1919 to 1976. He emigrated to the United States in 1939. Nominated by the Academy five times in the directing category, he was presented the 1967 Irving G. Thalberg Memorial Award.

1986 - 1986 (inclusive)
1 folder(s) of papers
Alice Guy Blaché was a French-born filmmaker active from 1896 to 1920. As the first female filmmaker in the world, she directed more than 400 films and wrote and produced many of those films as well.

1992 - 2002 (inclusive)
3 linear ft. of papers

1927 - 1972 (inclusive)
48 linear ft. of papers

2 linear ft. of papers

1982 - 1983 (bulk)
10 linear ft. of papers

1950 - 2000 (inclusive)
1704 item(s) of posters
38 linear ft. of papers
Arnold Kunert was a high school and college educator, writer, producer, director, and a life-long collector.

1911 - 2002 (inclusive)
15 linear ft. of papers
Arthur Hornblow Jr. was a producer most active in film from 1933 to 1962.

1960 - 1998 (inclusive)
116 linear ft. of papers
6.5 linear ft. of photos
19 item(s) of posters
108 item(s) of artworks

1960 - 1980 (inclusive)
3 item(s) of posters
1 item(s) of artworks
41 linear ft. of papers

1947 - 1973 (inclusive)
23 linear ft. of papers

1998 - 2001 (inclusive)
1 linear ft. of papers
Barbara Roisman Cooper is an American freelance writer specializing in celebrity profiles. She took up writing after retiring as a television production manager and teacher of English and film studies.

1914 - 1989 (inclusive)
2 linear ft. of papers
Bernard Glasser was an American producer who was most active in film during the 1950s and 1960s.

1986 - 1986 (inclusive)
1 folder(s) of papers
Bernard Gordon was an American writer, active in film in the 1950s and 1960s, and a producer, active in the 1970s. As a blacklisted writer he was not given screen credit for many of the films he worked on.

1903 - 2010 (inclusive)
7 linear ft. of papers
1.8 linear ft. of photos
Bert Granet was an American screenwriter and producer active in film from 1928 through the 1950s and in television from the 1950s through 1960s. He worked for RKO as a writer and later producer of films including BERLIN EXPRESS (1948) and THE MARRYING KIND (1952). He went on to work for Desilu Studios where he helped produce such television series as THE WALTER WINCHELL FILE, WESTINGHOUSE DESILU PLAYHOUSE, THE UNTOUCHABLES, and THE TWILIGHT ZONE. Granet received a Screen Producers Award in 1959.

5 linear ft. of papers
1 linear ft. of photos
Betty Lasky was an American film historian and the daughter of producer Jesse L. Lasky. She began her career writing articles for "Players Showcase Magazine" in the 1960s. In 1983 she published "RKO: The Biggest Little Major of Them All."

1935 - 1976 (inclusive)
3 linear ft. of papers
Billy Wilder was an Austrian-born director, screenwriter, and producer most active in film from the 1930s through 1970s. After beginning his film career in Germany, he came to the U.S. in 1934. From 1938 to 1950, he collaborated with screenwriter and producer Charles Brackett. Four of Wilder’s six Academy Awards are for writing and directing THE LOST WEEKEND (1945) and THE APARTMENT (1960), and he was the recipient of the 1987 Irving G. Thalberg memorial award.

1974 - 1976 (inclusive)
1 folder(s) of papers

1968 - 1978 (inclusive)
3.5 linear ft. of papers

1973 - 1993 (bulk)
53 linear ft. of papers
Bruce Gilbert is an American motion picture producer active in film from 1975 to 1993. In partnership with Jane Fonda, Bruce Gilbert produced or executive produced many of the actress' films from the mid-1970s to the mid-1980s, including "Coming Home" (1978), "The China Syndrome" (1979), "Nine to Five" (1980), "On Golden Pond" (1981) and "The Morning After" (1986). He became president of American Filmworks in 1980. Gilbert produced "Jack the Bear" in 1993.

1954 - 1991 (inclusive)
22 linear ft. of papers
4 item(s) of artworks

1918 - 1940 (inclusive)
13 linear ft. of papers
Irving J. "Bud" Barsky was a producer, director, executive, and screenwriter. Born in Odessa, Ukraine, Barsky was active in Hollywood as an independent producer in the 1920s and 1930s.

1982 - 1986 (inclusive)
5 linear ft. of papers
2.5 linear ft. of photos
Bud Yorkin was an American director and producer who worked on several television comedies and variety shows in the 1950s. In 1959, he teamed up with Norman Lear to form Tandem Productions and made his feature directing debut four years later with the Neil Simon adaptation COME BLOW YOUR HORN (1963). He is most notably known for his work as a television producer, working on several family sitcoms in the 1970s.

1900 - 1999 (inclusive)
0.4 linear ft. of papers
2 linear ft. of photos
Buster Keaton was an American actor, director, producer, and screenwriter active in film from 1917 to the mid-1960s. The Academy presented him with a 1959 Honorary Award.

1972 - 1997 (inclusive)
11.7 linear ft. of papers
Buzz Feitshans, born Fredrick Rollins Feitshans III, is an American film producer. Feitshans produced films from 1972 to 1997. He supervised film productions at American International Pictures, Carolco Pictures, and Cinergi Productions, often collaborating with writer and director John Milius.

1988 - 1992 (inclusive)
3 folder(s) of papers

1916 - 1980 (inclusive)
1.8 linear ft. of papers
5 item(s) of artworks
Cecil B. DeMille was an American director, producer, and screenwriter active in film between 1913 and 1958. In 1913 he formed a partnership with Jesse Lasky and Samuel Goldfish (later Goldwyn) called the Jesse L. Lasky Feature Play Company. The company soon merged with Adolph Zukor's Famous Players Film Company and ultimately became Paramount Pictures, where DeMille became a leading producer.

1956 - 1956 (inclusive)
1 folder(s) of papers
Cecil B. DeMille was an American director, producer, and screenwriter active in film between 1913 and 1958. In 1913 he formed a partnership with Jesse Lasky and Samuel Goldfish (later Goldwyn) called the Jesse L. Lasky Feature Play Company. The company soon merged with Adolph Zukor's Famous Players Film Company and ultimately became Paramount Pictures, where DeMille became a leading producer.

1890 - 1959 (inclusive)
64 linear ft. of photos
Cecil B. DeMille was an American director, producer, and screenwriter active in film between 1913 and 1958. In 1913 he formed a partnership with Jesse Lasky and Samuel Goldfish (later Goldwyn) called the Jesse L. Lasky Feature Play Company. The company soon merged with Adolph Zukor's Famous Players Film Company and ultimately became Paramount Pictures, where DeMille became a leading producer.

1904 - 1940 (inclusive)
1.1 linear ft. of papers
Charles J. Brabin was a British-born director, screenwriter, and producer whose film career spanned 1908 to the mid-1930s. He came to New York in the early 1900s. Brabin joined the Edison Company around 1908, acting first and then directing. Brabin directed Theda Bara in KATHLEEN MAVOURNEEN (1919) and LA BELLE RUSSE (1919), and the two were married in 1921. DRIVEN (1923), STELLA MARIS (1925), and THE MASK OF FU MANCHU (1932) were among the films directed and occasionally scripted by Brabin.

1890 - 1969 (inclusive)
36 linear ft. of papers

1937 - 1968 (inclusive)
8.8 linear ft. of papers
Charles Haas was an American director, producer, and writer active from 1946 to 1967. As a director, his work included documentaries, industrial films, training films for the United States Army Signal Corps during World War II, and many television series. His film work includes GIRLS TOWN and THE BEAT GENERATION, which he directed, and MOONRISE, which he wrote and produced.

1941 - 1952 (inclusive)
1.8 linear ft. of papers
Charles A. "Cap" Palmer was an American screenwriter and producer of business-sponsored documentary films. He joined Walt Disney Pictures in 1943 and over the next five years was a major contributor to the early story development of ALICE IN WONDERLAND and LADY AND THE TRAMP (ultimately released in 1951 and 1955, respectively). In the late 1940s and early 1950s, Palmer wrote for Louis deRochemont, Jesse L. Lasky, and Metro-Goldwyn-Mayer (MGM). Palmer collaborated with Dore Schary on the book "Case History of a Movie," about the production of the film THE NEXT VOICE YOU HEAR... (1950). Palmer formed Parthenon Pictures, a major producer of business-sponsored documentary films, in 1954.

1984 - 2001 (inclusive)
1 linear ft. of papers

1935 - 1935 (inclusive)
1 folder(s) of papers

1915 - 1967 (bulk)
2 linear ft. of photos

1889 - 1976 (inclusive)
2 linear ft. of papers
Craig Hutchinson was an American writer, director and producer active in film from the mid-1910s to 1935. He started as a columnist, writing "Flashes from Filmland" for the "Los Angeles Evening Herald" newspaper. He worked for Mack Sennett as a writer and member of the story department for more than ten years. He then became president of his own company, Craig Hutchinson Productions, and directed many two-reel short films that were among the first to use Technicolor. He was married to former wardrobe mistress and dancer Celia Ruiz, known as Beatrice Hutchinson.

1972 - 2012 (bulk)
31 linear ft. of papers

1875 - 2008 (inclusive)
30 linear ft. of papers
Curtis Harrington was an American experimental filmmaker, director, producer, and screenwriter. In the 1940s and 1950s, he emerged as a filmmaker when he wrote and directed several experimental avante garde shorts. He served as the executive assistant to Jerry Wald from 1956 to 1961 and as an associate producer at 20th Century-Fox. Curtis largely discarded the "experimental" tradition in his feature work which specialized in low-budget horror pictures.

1937 - 1971 (inclusive)
0.4 linear ft. of papers
0.3 linear ft. of photos
Darryl F. Zanuck was an American film executive, producer, and screenwriter. He received the Irving G. Thalberg Memorial Award three times (1937, 1944, 1950) and received an Academy Award nomination as producer of THE LONGEST DAY (1962).

1923 - 1980 (inclusive)
72 linear ft. of papers
3 item(s) of posters
Darryl F. Zanuck was an American film executive, producer, and screenwriter. He received the Irving G. Thalberg Memorial Award three times (1937, 1944, 1950) and received an Academy Award nomination as producer of THE LONGEST DAY (1962).

1975 - 1975 (inclusive)
1 folder(s) of papers

1 folder(s) of papers

17 linear ft. of papers

1937 - 1986 (inclusive)
10 linear ft. of papers