3 linear ft. of papers

1935 - 1979 (inclusive)
5 linear ft. of papers
3 linear ft. of photos
David Miller was an American director and film editor active from 1935 to 1976. His directing credits include SUDDEN FEAR (1952) and LONELY ARE THE BRAVE (1962).

1971 - 1988 (inclusive)
6.3 linear ft. of papers
Donn Cambern was an American film editor active from the late 1960s to 2021. He was nominated for an Academy Award in the film editing category for ROMANCING THE STONE (1984).

1947 - 1999 (inclusive)
4.5 linear ft. of papers
Edward Dmytryk was an American director born in Canada of Ukrainian descent. In the 1930s he worked as a film editor in Hollywood and directed films from 1939 to 1947. Dmytryk became a member of the “Hollywood Ten” after the House Un-American Activities Committee found him guilty of Communist affiliations. After serving jail time followed by exile in England, he returned to the U.S. to direct films from the 1950s to 1970s. Dmytryk taught filmmaking at the University of Southern California beginning in 1981.

1960 - 1973 (inclusive)
7.2 linear ft. of papers
6.3 linear ft. of photos
16 item(s) of artworks
James Elmo Williams is an American executive, producer, director, and film editor. Williams coedited a feature documentary, DESIGN FOR DEATH (1948), which received an Academy Award for best feature documentary; he edited 20,000 LEAGUES UNDER THE SEA (1954), for which he received an Academy Award nomination; and he coedited HIGH NOON (1952), for which he received an Academy Award.

3 linear ft. of papers

3 linear ft. of papers
Françoise Bonnot was a French film editor active from 1959 to 2011. She is known for her work with Jean-Pierre Melville, Costa Gavras, and Julie Taymor. Bonnot received an Academy Award for Best Film Editing for her work on Z.

1935 - 1978 (inclusive)
4.3 linear ft. of papers
Frank P. Keller was an American film editor most active from 1958 to 1977. He received an Academy Award for editing BULLITT (1968) and was nominated for editing BEACH RED (1967), THE HOT ROCK (1972), and JONATHAN LIVINGSTON SEAGULL (1973).

1928 - 1974 (inclusive)
4 linear ft. of papers

1940 - 1989 (inclusive)
74 linear ft. of papers
7.4 linear ft. of photos
Hal Ashby was an American director active in film from 1970 to 1988 and film editor active from around 1950 to 1969. He received an Academy Award for editing IN THE HEAT OF THE NIGHT (1967) and was nominated for editing THE RUSSIANS ARE COMING, THE RUSSIANS ARE COMING (1966). Ashby was also nominated for directing COMING HOME (1978).

1947 - 1958 (inclusive)
1 linear ft. of papers

1 linear ft. of papers

1943 - 2003 (inclusive)
1 folder(s) of papers

1968 - 2007 (inclusive)
3 linear ft. of papers

1936 - 1943 (inclusive)
1 linear ft. of papers
Joris Ivens was a European director, screenwriter, and film editor. Ivens left the Netherlands in 1936 for the United States. From 1937 to 1989 he made numerous films, including THE SPANISH EARTH (1937), THE 400,000,000 (1939), and THE POWER AND THE LAND (1940).

1973 - 2015 (inclusive)
4.6 linear ft. of papers
Kent Beyda is an American film editor active since 1977. As a editor and editorial consultant he specializes in films with visual effects.

3 linear ft. of papers

1935 - 1988 (inclusive)
1.7 linear ft. of papers
Margaret Booth was an American film editor. She was supervising film editor at MGM from 1936 to 1969. She then worked as a freelance editor and associate producer from the 1970s through the mid-1980s. Booth was nominated for an Oscar for editing MUTINY ON THE BOUNTY and received a 1977 Honorary Academy Award.

54 item(s) of posters
3 item(s) of papers
Mark Goldblatt is an American editor and director active since 1976. He is known for his work editing THE HOWLING, TRUE LIES, and ARMAGEDDON. He was nominated for an Academy Award for Best Film Editing for TERMINATOR II: JUDGEMENT DAY.

1979 - 2016 (inclusive)
2 linear ft. of papers
Michael Jablow is an American film editor.

5 item(s) of posters

2013 - 2013 (inclusive)

1914 - 1941 (inclusive)
1 item(s) of papers

1978 - 1992 (bulk)
4 linear ft. of papers

1990 - 2007 (inclusive)
16 linear ft. of papers

1898 - 1944 (inclusive)
1 folder(s) of papers