1927 - 1957 (inclusive)
1 folder(s) of papers
1 item(s) of papers

1967 - 1995 (inclusive)
28 linear ft. of papers

1906 - 1956 (inclusive)
1 linear ft. of papers
Charles Previn was an American musician. He worked at Universal as a musical director, arranger, composer, and conductor from 1936 to 1944. Previn later worked on a number of other studio and independent productions. He was nominated for seven Academy Awards and received an Oscar for music (scoring) as head of the Universal Music Department for 100 MEN AND A GIRL (1937).

1935 - 2004 (inclusive)
16 linear ft. of papers

1939 - 1946 (inclusive)
4 item(s) of papers
Erich Wolfgang Korngold was an Austrian film music composer.

1940 - 1979 (inclusive)
7 item(s) of papers
Ernest Gold was a Viennese-born composer and conductor who emigrated to the U.S. in 1938. He received an Academy Award for his music score for EXODUS (1960).

1954 - 1979 (inclusive)
16.3 linear ft. of papers
Harry Sukman was an American film and television composer most active in Hollywood during the 1950s and 1960s. Sukman shared an Academy Award for scoring of a musical picture for SONG WITHOUT END: THE STORY OF FRANZ LISZT (1960). He also received nominations in the music category for his work on FANNY (1961) and THE SINGING NUN (1966).

1984 - 1985 (inclusive)
1 item(s) of papers

1957 - 2003 (inclusive)
90 linear ft. of papers
Jerry Goldsmith was an American composer active in film from 1957 to 2003. He received an Oscar for his original score for THE OMEN (1976) and has eighteen Academy Award nominations. For the 70th Annual Academy Award show in 1998, Goldsmith composed a "Fanfare for Oscar."

1922 - 1982 (inclusive)
Erich Wolfgang Korngold was an Austrian film music composer.

1937 - 2009 (inclusive)
0.8 linear ft. of papers